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When I took control of the game to play the prologue, she was true to form, staring down powerful men who did their damndest to make her feel foolish and weak.
What he wanted above all was to make her story more complex. Sokal also alluded to “questions about her sexuality” that may come up in the narrative but gave few additional details. She gave up everything in the first game-a good job, a socially advantageous marriage, her home in New York-to pursue a dream in mythic Syberia: finding a lost heir, seeing the land where mammoths still roam, and rescuing a civilization under siege. He said that he wanted to “deconstruct” her and her character in this narrative, making the most of the transformative forces that carried her through the first two games. The themes of Kate Walker’s story in this installment will center on doubt, particularly “starting to make Kate a bit darker,” in Sokal’s words. So where does Syberia 3 take her? Sokal offered a few tantalizing hints. More than anything, she embodied the idea that a woman’s quest for wonder and meaning in her life was ideal for a fantastical story. She showed what kinds of stories videogames could tell if they weren’t shackled to convention, and how a narrative of women’s liberation was not inimical to the production of a good, challenging game. I spoke to Benoit Sokal directly about this Walker was, after all, an example of a woman whose quest for her own independence was central to the story of the very first game. Of even greater importance to me is Kate Walker’s story, however. It’s meant to imitate intuitive physical motion-"how would you interact with this object if you were actually there with it?", rather than “how would I poke at this in a videogame?” It takes some getting used to, but it has a lot of promise.
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I was using a PS4 remote and I found I had to use all 360 degrees of control stick motion to turn the screwdriver, open and close the panel, and insert a fuse.
#Syberia 3 game release date full#
But there are new ways of interacting with puzzles that are meant to use a full range of motion to simulate various actions.įor instance, one early puzzle saw me find a knife to use as a screwdriver to open up a control box for a switch. The subtitles are still that distinctive handwritten print that is also very much Sokal’s. Benoit Sokal’s delicately surreal sensibility once again spills out into a painterly world just to the side of our own.
#Syberia 3 game release date series#
We still have the same adventure game experience that fans of the series might expect, with items to collect, and plots advanced through Byzantine puzzles. But I was able to actually get my hands on the game for the prologue and found the controls to be a thoughtfully designed puzzle in their own right. I looked at a section of the game that was about two thirds of the way through the story-for this I was but a passenger, scribbling my notes away.
If the preview I was given at GDC 2017 is any indication, we’re due for a fascinating story that might just be worth a thirteen year wait-and far from feeling like a dated throwback to a long-dead era of gaming, it’s surprisingly timely. But, mercifully, the will to tell this story never flamed out and we now have a Syberia installment for our times.
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